Movie review by Flack of FlickFlackMovieTalk.com, where two 12 year-old brothers like to talk about film.
The Hobbit: The Desolation of Smaug
2 1/2 Stars
With his latest film, The Hobbit: The Desolation of Smaug, Peter Jackson puts on full display the best and worst of his own filmmaking styles. The film is pretentious, noisy, overlong, and half-baked. It’s also spectacular, beautiful, thrilling, and brilliant. Desolation is cluttered but exciting. It didn’t always hold my attention, but there’s always something jaw-dropping to look at. In short, it’s a Peter Jackson movie.
Unlike others, I’ve never been a huge fan of the Lord of the Rings/Hobbit series. I’ve read The Hobbit (good fun), read a tiny bit of the first Lord of the Rings (a.k.a. LOTR)Â book (kind of boring), and seen the the LOTR film trilogy (good fun, brilliant, and kind of boring). Of course, I’ve also seen The Hobbit: An Unexpected Journey. The latest Hobbit film starts before the last one, which is confusing and unnecessary, with a somber meeting between head dwarf Thorin Oakenshield (Richard Armitage) and master wizard Gandalf (Ian McKellen). Next, we’re back to the now, where protagonist Bilbo Baggins (Martin Freeman, who needs more screen time), Gandalf, Thorin, and the other eleven dwarves are still on their quest to enter a mountain, steal some treasure, and slay Smaug the dragon. Along the way, the heroes must fight spiders, argue with elves, ride barrels, and rally a village.Â There’s also some notable new characters, including down-on-his-luck rebel Bard (Luke Evans), and Legolas (Orlando Bloom) and Tauriel (Evangeline Lily), fierce elf fighters.
Peter Jackson’s direction is full of clashing instincts makes the movie the messy thrill ride that it is. The artist inside him knows that it’s the small character driven moments, that there are too few of here, that makes his movies great. But the corporate producer battling for control realizes that CGI drenched battles (perfect for 3-D, and IMAX, and 48 frames a second, and therefore making more money) that sell tickets. InÂ Desolation,Â it’s the business oriented side that wins out too often. Which is a shame, because we know Jackson can do better.
The decision to split a 300 page children’s book into a thunderously thrilling trilogy of 3 lumbering 3 hour CGI extravaganzas often shows. Unlike LOTR, Peter Jackson takes a lot of liberties this time around. And sometimes they work. The elf scenes may feel like sacrilege to many, but they actually provides a human (well, elvish) element to the plot. But apart from Tauriel (a strong female character invented for the film) and Legolas (who gets more to do than in LOTR), there are less outright changes and more just extended versions of scenes from the book. Every two page episode of gentle adventure from the book has been stretched into a 15 minute battle sequence featuring beheadings, jump-scares, and explosions. I often found myself questioning Jackson, “Is this really necessary?”
Basically…no it’s not. An early spider fight feels tedious and (considering we basically saw a better version of the same scene in the final LOTR film) a little “been there, done that”. Â Actually, early all of the action scenes rely heavily on impressive but excessive CGI and gimmicky, half-hearted story concepts made to stretch out the running time longer than a dragon. I’m still not even mentioning all the improbable escapes that’ll make you think twice about the film’s logic. All that said, there are moments of true awe. The elves’ fight scenes are beautifully choreographed, the (CGI) locations are incredible, and there is one set-piece that truly feels exhilaratinglyÂ immersive. At around the halfway mark, we’re treated to an extended chase/fight/battle involving barrels, dwarves, elves, and orcs. Unlike the other action scenes, this one feels fun. You sense Jackson letting his inner 10-year-old get out and play with all the fancy toys at his command, not get bogged down by them. The sequence ends up beingÂ far-fetched and overlong but it’s also, for once, entertaining. It’s easily the most riotously enjoyable 15 minutes of the movie.
That sense of imagination is almost entirely squashed an hour later, by the time we get to the dragon’s lair. The Smaug climax could’ve been just as fun as the barrel scene. But, alas, no. It’s as lumbering and lengthy as anything else in the picture, and twice as preposterous. Honestly, why doesn’t Smaug just blow Bilbo on fire the moment he lays his beating red eye on him? Nope! Instead, we’re forced to endure another 45 minutes of running and jumping and hiding and yelling and fire-breathing. Even Benedict Cumberbatch’s voice performance is disappointingly bland. Yeah, Smaug the dragon does look kind of awesome. But by the time we get to see him stand up to Bilbo (a startlingly gorgeous image) you might be asleep.
So overall I wasn’t too happy with the film. It’s simply too long and features too many scenes that have no reason being in the film (i.e. every time Gandalf appears). But, that doesn’t mean die-hard fans won’t like it. And if, for some reason, you’re starting to miss the summer movie season (the time of year when 3 sci-fi action epics are released every week) then this is your film. Even though I’ve read the book , the world of Middle Earth is one that’s worth visiting every so often. Sadly, this visit isn’t a satisfying one. So, I guess that means I’ll have to wait to see Peter Jackson smother every hope for a good Hobbit movie with dragon’s breath…next December. Nonetheless, I’ll be there to see it.
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